Folio Two, Page Fourteen (svegra mos itzkron tal-dros)

I always rushed right in with no head for consequences when I was a kid, not even if I had read and heard the rules dozens of times. Plotting out cause and effect never made sense. Everyone else seemed to know how things would go, but I only saw the future plotted out in fits and bursts. It had never occurred to me that my aunt would stare thoughtfully at me in the train station without saying a word or that Anumë would twiddle her thumbs, eyes downcast. It felt like watching distant monsoon clouds.

Kobeis hooked her arm in mine as we boarded. It was packed, and the air had already turned steamy and thick like soup. We pinned ourselves by one of the windows where an older woman sat with her embroidery.

“What do you think Aunt Nikis will do?” Kobeis’s voice shook.

I struggled to hear her, and then I struggled to put words together. The last time Nikis had punished Anumë — my mind came up with nothing; Nikis had always tolerated her.

She had punished me.

Two summers earlier, I hadn’t wanted to do a genealogy project, so I had avoided gathering colored paper and printed photographs. When that didn’t work, I climbed the monsoon-soaked ivy outside the gymnasium and ducked into the crawlspace where the technicians manage the retractable roof. The teachers had searched for me everywhere, but in the end, I was found in the little nook above the gymnasium showers with baby snakes in my palms. Nikis had flogged me with light, knotted cords. She could have broken my hands.

What would Anumë have done if Nikis had struck her? I hazarded guess after guess. Nikis was not the young girl on the living room wall’s slide show, but an old woman worked in twisted glass. What would happen if she died — but these were just guesses, and I knew very well that life did not block like one of the operas.

Kobeis squeezed my hand. “Eràsis?”

“I don’t know,” I said. “I don’t like it when people in the family rough one another up.”

She accepted the answer.

Most passengers stepped off at Kararga and Nobsveika, the two working-class suburbs, and the rest of us waited for the train to reach the outlying suburbs. Kobsarka was the end of the line.

When I found a seat, I leaned back and closed my eyes. The seat vibrated against my head and back. I wondered which car Sukua was in, or indeed whether he had left Menarka at all. I regretted leaving him and realized that he probably thought I had used him only for the money. The thought made me sick.

By the household gods, I swore that Sukua and I would meet again, and not just because I thought that befriending a potential android would be cool. He had tapped a rhythm against the back of the train seat in front of us. Perhaps he knew music.

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About the Author

When I had attained the ripe old age of five weeks, my parents brought me to an amateur astronomy convention called Stellafane. A journalist doing a piece on children at the convention recorded that my mother called me “a refugee from Betelgeuse,” a red giant star in the constellation Orion.

In a small American town, my mother revealed these origins to me and I set out on my life mission: to explore strange new places, to seek out new experiences and new perspectives; and to boldly pursue my dreams.


I graduated from high school in May 2005. By that time, I had several novel drafts, a large and brilliant constructed language, and notebooks of emo poetry to back up my claims to the Betelgeusian throne. At Smith College, I learned to hone my writing and editing skills. (My emo poetry from college only fills ¼ of a notebook.) I also developed a passion for current events, politics, public policy, astronomy, and literary science fiction.


Now, a recent Smith College graduate, I blog and go to grad school. My web novella, Akačehennyi on a Diet of Dreams, was completed earlier this year. I also write KALLISTI, a Hellenic Polytheist-oriented blog. My poetry has appeared in print in AlienSkin and in Eternal Haunted Summer.

Thanks for choosing to read Ossia. I hope you enjoy it and that you stick around for stories to come.

Kayleigh Ayn Bohémier

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